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Does 110 3/5 bpm have a ‘feel’? “Breakfast At Tiffany’s” | Deep Blue Something | declassified harmonic tempo map –

Breakfast At Tiffany’s is a song by Deep Blue Something.

After not hearing the song for over ten years how fresh it sounded. I don’t personally dance, except for my family as a joke that I can’t dance (just as you!).

What is music all about though? It is, in my opinion, sound with the ability ally, to make people dance. Sometime literally, as basic dance. If you are playing, and people are natural rocking their babies in their chairs. In a broader and more abstract way, music has to make your brain dance. As Lennon and McCartney wrote in “Lady Madonna”-

Lady Madonna,
Children at your bed,
Listen to the music playing in your head.”

Breakfast At Tiffany’s is a song by Deep Blue Something.

After not hearing the song for over ten years how fresh it sounded. I don’t personally dance, except for my family as a joke that I can’t dance (just as you!).

What is music all about though? It is, in my opinion, sound with the ability ally, to make people dance. Sometime literally, as basic dance. If you are playing, and people are natural rocking their babies in their chairs. In a broader and more abstract way, music has to make your brain dance. As Lennon and McCartney wrote in “Lady Madonna”-

Lady Madonna,
Children at your bed,
Listen to the music playing in your head.”

This is my conclusion based on a great question I received from a young 20-something outside my NYC drum studio, where the hallway sounds like 5 drummers all playing their own thing which is generally awfully annoying. Even where you can hear the one player that may have the loudest or strongest playing plays [well], her question: “How do you guys know if you’re any good?”

I responded with predictable: “if you get jobs,” “if bands ask you to sit in because often the drummers are the last to be picked,” “if you are no good, on 8th Ave? people will let you know! you can’t even rent a room as it makes the studio sound bad, look bad, harm the reputation.”

I got home and thought – that was a weak, trite answer compared to the answer “you know you are good when you make people dance.” The instrument? Does not matter. Personally, I [earned] my first chance to make it as a musician in New York City, after trying it for one year, giving up, becoming a lawyer, passing the bar, and content as an attorney with what was paid for – in college I would get paid gigs and would often volunteer to play free, back into a hobby. I realized, “wow, I was a huge fish in a small New Jersey community, a big shot in a small upstate New York college. In New York City, the nasty shock in moving into old school Hell’s Kitchen, I was barely the best accompanist/pianist on my floor in my building!

Not until TEN years later, practicing the entire time to try to meet a NYC STANDARD, did I get my enormous break. Waiting in line for the stapler at the New York’s Legal Services, divorce and family law section, at which I was worked. I tapped a song on the table that had the stapler and a line of three people (we did a to of that in the 20th century – line up to use simple machines! The things I was stapling would have been stored on a MSFT/APPLE/DELL/CRUZ hard drive or thumbnail). The type of tapping I was doing on the table was the same type that used to make may dad irritated, heck, made most people irritated. As [Julie] was about to tell me we were in a law environment and to STOP THE NOISE, she asked, “Do you play an instrument? My husband is a music teacher art the John F. Kennedy High School in the Bronx, and his annual budget for the yearly senior show was cut such that, the orchestra could not be hired, and if I played the drums or the keyboards, he was looking for someone.”

I thought, is she serious? 10,000 people have heard me tap on tables similarly – never got any job offers. Nor did I at Legal Services. I auditioned three songs at least three minutes each. I made the cut, land my piano accompaniment went from $0 to $35 in NYC, which, when you are working in litigation is a matter of pure joy. Being an attorney, as not shown on tv or Suits or whatever, means the cases NEVER leave your head. There is always something else to consider, another argument to try, and the worst, there is always more research to do. The saying among lawyers is that the best are those that rely on the best cases, STOP over-researching, and organize and build powerful cases using cases at a higher court level over searching for a case that forts your fact pattern exactly, but of a family court star case from Arizona. In other words, that 60% of attorneys are introverts surprises people, but realize: just to get into the bar one has to spend thousands of hours alone reading the most sophisticated law of the English language.

Breakfast-At-Tiffanys-Deep-Blue-Something-bpm-frequency-analysis
Breakfast_At_Tiffanys-Deep_Blue_Something-matherton_diagram

The biggest reason I landed that job after my audition after not getting anywhere for years? A terrible gig I played on 3rd Avenue, where I played a set with no “oh my god” mistakes, really nothing unplanned at all. But I did not feel the room dancing – though it was a supper club – people were not into it, I heard something wrong with it, couldn’t tell what it was.

After the show, the drummer I went with said, “Dude, you piano players do not realize that you stick your head under that wooden baby grand soundboard and the overtones and harmonies? People are not hearing that at all. They hear you basic playing. You lost the crowd half way through your first song because the FIRST time you miss a be a, the crowd can’t follow, tunes you out. And dude, there is no comeback from that. That’s why that waltz you played at the end was okay, but the rest, you need serious training on a metronome.” That advice was the “cruel to be kind” statement that turned me into an actual musician.

That said, it was the crowd of non-musicians who has the power! I had to learn to play in time (took about 2 1/2 year of playing with a metronome at least 1/2 the time, usually 80%). The pain was not the learning to play on a metronome. The pain was opening up the box, winding it up, and just trying it. I was scared that my flaws would be exposed so badly I’d never play again. Opposite happened: the more I made friends with the metronome the more I could use silence as its own instrument.

That gets to the point: if you are aware than you really get into a great groove with a song that is 110.6 beats per minutes you can use that power by setting up playlists or simple loops with tempos that you know that when you personally are in that zone you feel confident, or you simply dance in your head. That for me is the case with Breakfast at Tiffany’s. I made a playlist for my treadmill, an easier machine for me to exercise on when my head is dancing.

As for YOU? You are always your best DJ! The best playlists? YOURS, with YOUR taste. Knowing the speed is a simple tool that for those of you curious enough to read this far down know is as individually great as glasses fit or shoes or gloves. I am flattered when someone offers me a playlist, but usually I don’t listen to it. Conversely, if someone says, “check out this SONG or these set of SONGS,” individually, that is the opposite! Also the reason you’ll never see a playlist on my sites – it is an insult to ☛you, who were kind enough to read all this👆🏼!

Spiron Jackson
Jonson “Johnson” Metrical Services™
“real” B.F.J. Matherton

060418
14:50

Pink Floyd, Us And Them – declassified matherton diagram | link to youtube

Us and Them is a song written and recorded by the members of the band Pink Floyd.

Pink-Floyd-Us-And-Them-contemporary-tempo-map
Pink-Floyd-Us-And-Them-contemporary-tempo-map

I searched in several places online for a way for Jim Deluva and his band, “The Jim Deluva Cover Boys” to imitate the sound to perfection at a bachelor party they are playing tonight.

Jim is in the driveway – cool. I had told him, “Dude, you should have been able to find a chart my uncle posted a long time ago.”

“I know, dude, I know – can’t find it. I want you to listen to the ride pattern on the cymbal I worked out, anyway. It’s 4 over 3s over 4s – kind of a Phil Collins thing – and Roger and Phil never liked each other, so I want you to hear it.”

Us and Them, Pink Floyd – harmonic tempo map
Us and Them, Pink Floyd – harmonic tempo map

The Beatles – unclassified speed diagram – “A Day In The Life”

The Beatles
A Day In The Life
matherton_tempo_map
A Day In The Life – The Beatles – Median expected speed map
Led Zeppelin, Stairway To Heaven, median expected speed map

Most popular songs stay within 5% of their tempo.

Lyrics

There’s a lady who’s sure
All that glitters is gold
And she’s buying a stairway to heaven
When she gets there she knows
If the stores are all closed
With a word she can get what she came for
Oh oh oh oh and she’s buying a stairway to heaven

There’s a sign on the wall
But she wants to be sure
‘Cause you know sometimes words have two meanings
In a tree by the brook
There’s a songbird who sings
Sometimes all of our thoughts are misgivingOoh, it makes me wonder
Ooh, it makes me wonderThere’s a feeling I get
When I look to the west
And my spirit is crying for leaving
In my thoughts I have seen
Rings of smoke through the trees
And the voices of those who standing looking

Ooh, it makes me wonder
Ooh, it really makes me wonder

And it’s whispered that soon, If we all call the tune
Then the piper will lead us to reason
And a new day will dawn
For those who stand long
And the forests will echo with laughter

If there’s a bustle in your hedgerow
Don’t be alarmed now
It’s just a spring clean for the May queen
Yes, there are two paths you can go by
But in the long run
There’s still time to change the road you’re on
And it makes me wonder

Your head is humming and it won’t go
In case you don’t know
The piper’s calling you to join him
Dear lady, can you hear the wind blow
And did you know
Your stairway lies on the whispering windAnd as we wind on down the road
Our shadows taller than our soul
There walks a lady we all know
Who shines white light and wants to show
How everything still turns to gold
And if you listen very hard
The tune will come to you at last
When all are one and one is all
To be a rock and not to roll
And she’s buying the stairway to heavenSongwriters: Jimmy Page / Robert PlantStairway to Heaven lyrics © Warner/Chappell Music, IncAvailable on

ArtistLed ZeppelinMovieThe Song Remains the SameReleased: 1971Songwriter(s)Jimmy PageRobert PlantLength: 8:02

These two songs are the wildest of exceptions. Led Zeppelin and The Beatles multi-tempo songs are popular exceptions. Even the best intern said – “those two songs were not easy to measure.”

Both songs show a complete average of between 80-84 beats per minute. Make s me wonder (sorry) if the moods are similar in their expression or the tempo average of multi-part songs are coincidental or are both the cries of one in solitude seeking the companionship of others.

Google has provided all one would was to know about these songs except for tempo charts – 

Lyrics

“Dub the mic on the piano quite low this
Just keeping it like maracas, you know
You know those old pianos””Ok, we’re on””Sugarplum fairy, sugarplum fairy

“I read the news today, oh boy
About a lucky man who made the grade
And though the news was rather sad
Well, I just had to laugh
I saw the photograph

He blew his mind out in a car
He didn’t notice that the lights had changed
A crowd of people stood and stared
They’d seen his face before
Nobody was really sure if he was from the House of Lords

I saw a film today, oh boy
The English Army had just won the war
A crowd of people turned away
But I just had to look
Having read the book
I’d love to turn you on”Five, six, seven, eight, nine
Ten, eleven, twelve, thirteen, fourteen
Fifteen, sixteen, seventeen, eighteen, nineteen
Twenty”Woke up, fell out of bed
Dragged a comb across my head
Found my way downstairs and drank a cup
And looking up I noticed I was late
Found my coat and grabbed my hat
Made the bus in seconds flat
Made my way upstairs and had a smoke
And everybody spoke and I went into a dream”Oh shit”I read the news today, oh boy
Four thousand holes in Blackburn, Lancashire
And though the holes were rather small
They had to count them all
Now they know how many holes it takes to fill the Albert Hall
I’d love to turn you”See the worst thing about doing this
Doing something like this
Is I think that at first people sort of are a bit suspicious
‘You know, come on, what are you up to?’Songwriters: John Lennon / Paul McCartney

A Day in the Life lyrics © Sony/ATV Music Publishing LLCAvailable on

ArtistThe BeatlesAlbumSgt. Pepper’s Lonely Hearts Club BandReleased: 1967Genre: Rock

What do you think?

/Jackson Jefferson/ with

Tuckah, Matherton’s stepdaughter and Jonson.

matherton speed research charts

matherton diagrams /featuring Dr ​Louis ARMSTRONG – “What A Wonderful World” / John Lennon “Mind Games” unclassified

Genesis-In-The-Glow-Of-The-NIght-Domino-Part-One-matherton-street-harmonic -rhythm-chart-white-house-matherton-street-chart-10-12The Beatles MeanSpeed Chart - tempo map - Love To You - The Beatles - 3

After my brain aneurysm, I found that I had organized so much by short term memory that passwords to many safe “places” on the web, not written down, were gone with the part of muy memories that if not doed went into amnesia.

What’s cool for me is that the aneurysm tyoe I had wa supposed to in Scan predictions, be nighly dangerous in losing all emotional control through simple mental self-control – often based on my favorite Carly Simon song that day! She defines was a trie celebrity is.

IMG_0004 Louis Armstrong – Meanspeed Music Conceptual Tempo Chart – What A Wonderful World[/caption]

Lee_Greenwood_God_Bless_The_USA_mp3_lyrics_illegal20thereofre20not20provided-20meanspeed_still20tempo20m-001Genesis-In-The-Glow-Of-The-NIght-Domino-Part-One-matherton-street-harmonic -rhythm-chart-white-house-matherton-street-chart-012162Takin-Care-Of-Business-Bachman-Turner-Overdrive-mean-speed-music-post-tempo-imageMind games Universal Standard Tempo map 2 Dr. Phil

Kanye West | Unclassified universal-tempo-diagram |”dark fantasy”

Dark Fantasy was written and performed by American artist KANYE WEST.

Kanye-West-Dark_Fantasy-median-expected-matherton-tempo-diagram copy

Dark Fantasy was written and performed by American artist KANYE WEST.

John Mayer, “3×5” / declassified tempo map

“3×5” is a song written and performed by John Mayer.

John-Mayer-3x5-matherton-diagram-cmmon-tempo-map

“3×5” is a song written and performed by John Mayer.

“You’re everything I hoped for, you’re everything I need.” JOE COCKER, you are so beautiful | declassified tempo map

Matherton-tempo-maps 2018

Joe Cocker’s version of a song you are so beautiful it’s one of the most beautiful songs of the 20th century.

THE PRETENDERS
My City Was Gone

revolution - the-beetles-matherton_tempo_map
revolution

The diagram pictured here of the measurements that I took of the frequencies of exactly how fast the song is in all places in the continuous measurement.

http://nightmusic.live

Grey Street, James, Domino | Dave Matthews Band, Pat Metheny Group, Genesis |UNCLASSIFIED night tempo diagrams

Are these three songs best
a) at night;
b) during the day;
c) as night falls
d) depends​ on my mood?

Are these three songs best
a) at night;
b) during the day;
c) as night falls
d) depends​ on my mood?

Full disclosure, I love these​ three as songs of civil dusk. I have been blessed enough to listen and watch all three bands perform the songs that way, as can be seen in the​ links​ below.

Are the songs better
a) in their live versions;
b) in their studio versions;
c) it depends on my mood.

Full personal disclosure​ again: to me, I usually like these songs better at night, though my mood upon listening usually takes over. Nothing to brag of, I know! How about you?

I compose morning Episcopal music. The musicians on this page? THANK YOU 👉🏽❤️❤️❤️!!! It is an interesting thing to take a Martin Luther or Ralph Vaughn Williams or Martin Luther hymn and change some of the 1600s harmonies into 2018 harmonies. Hint: fewer diminished​ seconds, more 9ths in place of same. In some keys, as C, the major 3rd is a harsh interval as the E, to allow for equal temperament, stretches toward the perfect 4th, the dreaded F.

Grey-Street-Dave-Matthews-band-Lousiana-11-peat-street-chart
Grey-Street-Dave-Matthews-band-Lousiana-11-peat-street-chart

Grey20Street201-001
Dave Matthews band-Grey Street-matherton-speed-diagram

meanspeed-matherton tempo image-dave-matthews-band-grey-styreet
Dave Matthews band – Grey STREET 

Grey Street-Dave-Matthews-Band-matherton-horowitz-ordinary-speed-map
Grey_ Street-Dave-Matthews-Band-universal-matherton-tempo-map

img_0096-1
James, The Pat Metheny Group, as played in the studio version on the masterful OFFRAMP

fullsizeoutput_69a
Domino, Part I

 

Thanks for your help!

 

/matherton’s stepfather/